• Subject Name : Music t

Authenticity in Hip Hop

This article given by Pat O Grady discusses and examines the manners by which hip hop performers and artists have ordinarily characterized realness and the genuine relationship to dark male personalities with an accentuation on the prevailing portrayals of the real related to the hoodlum persona. Some music classes, for example, hip hop are the highlight of a whole culture or way of life through which audience members have shared convictions, values, design, language, and encounters (Song Meanings, 2019). These music audience members are probably going to relate to the music they tune in to as a result of their association with these perspectives encompassing the music. Rap music's clamor against auxiliary persecution and addresses to teenager obstruction giving resistance to young individuals who are challenging the predominant or parent culture a voice through hip hop. This famous hip hop or standard music is sold to the market where it is sure to be purchased, once in a while by speaking to the furthest reduced shared elements of sex, brutality, and other stunning symbolism.

 The significant role played by the recording technologies plays in pop music production receiving attention in the recent period as depicted in the literal context. The role such technologies play is predominantly assessed through examining of final records. For instance, focusing on Bee Gees' production practice during the 90s analyzes digital instruments, signal technologies, and the shaping of sounds and styles (Jacobson, 2020).

The article also describes the influence of various recording technologies and their role in the music production industry. The technologies have exerted a significant impact on pop music production over the last few years. Also, the article analyses various latent elements that have shaped the pup music production industry. For instance, music production industries utilize audio editing and signal processing units to enhance numerous pop music's stylishness (O'Grady, 2018).

My personal review of the given article is the article is descriptive and gives a great insight about the hip hop culture and the technologies used in the recording the music. It additionally looks at the manners by which these latent components as well as their social settings – may be valuable for thought in famous musicology. Although what this journal was lacking was since the main emphasis was on the hip hop music other forms of music have been neglected which it is not creating a great impact. Overall the article is well written and informative.

References for Latent Elements in Pop Music Production

Jacobson, L. (2020). Realness and Hoodness: Authenticity in Hip Hop as Discussed by Adolescent Fans. Retrieved from: https://scholarcommons.usf.edu/cgi/viewcontent.cgi?referer=https://www.google.com/&httpsredir=1&article=3026&context=etd

O'Grady, P. (2018). Latent Elements in Pop Music Production. Popular Music and Society41(5), 506-521.

Song Meanings. (2019). Black Flag - My War Lyric. Retrieved from: https://songmeanings.com/songs/view/93967/

Remember, at the center of any academic work, lies clarity and evidence. Should you need further assistance, do look up to our Music Assignment Help

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