Viewer’s Favorite Exorcists, Vera Farmiga and Patrick Wilson, Return “In The Devil Made Me Do It”

Arne Johnson, a young man from Brookfield, Connecticut, was placed on trial in 1981 for murdering his landlord with a pocket knife. His lawyer suggested an unorthodox claim, never before used in an American courtroom: Johnson should be declared not guilty due to paranormal activity, even if he physically committed the murder.

Moreover, whatever you think of this bizarre tale, it's a good start for a film. The Conjuring 3: The Devil Made Me Do It, directed by Michael Chaves, takes a decidedly biassed approach, focusing on the perspectives of real-life exorcists Ed and Lorraine Warren.

However, the trick with these less-than-scrupulous films is that they cater to two audiences: those searching for frightful amusement and those who are more truly equipped to examine the possibility of a demonic realm.

The Conjuring 3 is, like its predecessors, cloaked in periodic shadow: it's a gloomy universe. That gives even more space for speculation about the subtext. Overall, it's unlikely that the series' major creative force, James Wan, has any such goal. Still, contrary to the equally precise use of Elvis, the menacing rearrangement of the Blondie song Call Me has a slew of implications.

Overall, it's improbable that the series' major creative force, James Wan, has any such goal. Nonetheless, in contrast to the equally precise use of Elvis, the menacing rearrangement of the Blondie song Call Me has a slew of implications.Viewer’s Favorite Exorcists, Vera Farmiga and Patrick Wilson, Return “In The Devil Made Me Do It” Arne Johnson, a young man from Brookfield, Connecticut, was placed on trial in 1981 for murdering his landlord with a pocket knife. His lawyer suggested an unorthodox claim, never before used in an American courtroom: Johnson should be declared not guilty due to paranormal activity, even if he physically committed the murder.

Moreover, whatever you think of this bizarre tale, it's a good start for a film. The Conjuring 3: The Devil Made Me Do It, directed by Michael Chaves, takes a decidedly biassed approach, focusing on the perspectives of real-life exorcists Ed and Lorraine Warren.

However, the trick with these less-than-scrupulous films is that they cater to two audiences: those searching for frightful amusement and those who are more truly equipped to examine the possibility of a demonic realm.

The Conjuring 3 is, like its predecessors, cloaked in periodic shadow: it's a gloomy universe. That gives even more space for speculation about the subtext. Overall, it's unlikely that the series' major creative force, James Wan, has any such goal. Still, contrary to the equally precise use of Elvis, the menacing rearrangement of the Blondie song Call Me has a slew of implications.

Overall, it's improbable that the series' major creative force, James Wan, has any such goal. Nonetheless, in contrast to the equally precise use of Elvis, the menacing rearrangement of the Blondie song Call Me has a slew of implications.