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Artistic Expression Working With Clay 


Slide 2

The artistic journey with clay unfolds as an exploration of ecological concepts, where clay is perceived as a dynamic entity akin to how paper was portrayed in the reading. It is recognized that clay is far from a static substance; instead, it actively responds to variables like pressure, moisture, and touch, creating a dynamic interplay between the artist and the material. This dynamic interaction fosters a discourse that intertwines human creativity with clay's innate qualities, echoing the ecological affordances emphasized by Kind (2013). Much like paper, clay possesses its unique movements and attributes, rendering it a versatile medium for artistic expression and exploration of ecological themes.

Slide 3

As far as creative exploration is concerned it can be stated that clay is synonymous to the rudimentary notion of interconnectedness with environmental ambience in the vicinity, in view of the fact that drawing parallel paradox in constant motion is transformative in nature as observed in the case of paper. This transformative tendency of clay is illustrated in its potential of taking any shape in which it is moulded or redefined, which not only establish deep connection with the earthly realm, but at the same time, this connection also gravitates towards the significance of material usage in a responsible manner, that is also sustainable in the artistic perspective.

Slide 4

Facilitation of Communal Artmaking is of the essence in this context. Owing to the reason that clay has the potential to foster collaborative and communal art-making experiences, similar to the collective activities with paper described in the reading (Kind, 2013). It underscores the role of materials in bringing people together for shared creative exploration. In the sense of philosophical contemplation, working with clay prompts philosophical reflection on materials as narratives, from their origins in the earth to their transformation through human intervention. This perspective deepens the understanding of the interconnectedness of all things and the role of materials in shaping our worldview, as discussed by Pacini-Ketchabaw, Kind, and Kocher (2016).

Slide 5

Deducing inspiration from encounters with material, an inference can be drawn that the artistic endeavour with clay not only opens up new horizon, but at the same time, broadens the mental perspective in which profound connection can be established with human experiences as well as the material in hand. The possibilities of unearthing clay in an extrapolated sense are visualized in reality once diverse textures can be redefined with a simple mould (Pacini-Ketchabaw, Kind, & Kocher, 2016). In this manner, the labyrinth of possibilities gradually transcended upon my mental spectrum. From there, I stumbled upon the fact that a mere matter can be redefined into extraordinary medium if adequate creative expression is inculcated into it.

Slide 6

As far as my personal reflection is concerned, it is fair for me to state that manipulative experience with clay represents an evocative reflection where personal space within the material is synonymous to constructing chambers where expressions such as emotions can be established with profound connection. On a similar note, the paradoxical transformation which is visible through this artistic endeavor leaves a long lasting impression. It not only fosters creative communication from my end, but at the same time also develops a manner through which realms of imagination can be weaved in a seamless manner.

References: 

Kind, S. (2013). Lively entanglements: The doings, movements and enactments of photography. Global Studies of Childhood, 3(4), 427-441.

Pacini-Ketchabaw, V., Kind, S., & Kocher, L. L. (2016). Encounters with materials in early childhood education. Taylor & Francis.

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